Artwork

Tityus Devoured by the Vulture

Tityus Devoured by the Vulture, by Francesco Bartolozzi, 1740
Tityus Devoured by the Vulture, by Francesco Bartolozzi, 1740

Tityus Devoured by the Vulture is a print by the Baroque artist Francesco Bartolozzi. It dates from 1740 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

This engraving, a reverse reproduction of Michelangelo's composition by Francesco Bartolozzi, portrays the mythological scene of Tityus being devoured by a vulture. Executed in red ink on paper, it captures a dramatic moment from ancient mythology.

Subject & Meaning

The print depicts Tityus, a figure from Greek mythology, in the act of being consumed by a vulture as punishment. This scene conveys intense suffering and retribution, drawing on classical sources for its narrative.

Technique & Style

Bartolozzi's use of red ink on paper creates a striking visual effect. Soft shading techniques are employed to render detailed textures of muscle and skin, enhancing the realism of the struggle. The composition leverages chiaroscuro, where contrasts of light and shadow amplify the dramatic tension between Tityus and the vulture.

History & Provenance

Originally composed by Michelangelo, this work was later interpreted by Francesco Bartolozzi in engraving form, presented in reverse. Specific details on its creation date, inspirations, or ownership history are not provided.

Context

Rooted in Greek mythology, the scene of Tityus's punishment reflects Renaissance interests in classical themes. The vulture's attack symbolizes divine retribution, a common motif in art inspired by ancient legends.

Legacy

As an engraving based on Michelangelo's work, it contributes to the dissemination of Renaissance artistic ideals and mythological themes through printmaking, though its direct impact or notable exhibitions are not specified.

Artist & collection

Portrait of Francesco Bartolozzi

Artist

Francesco Bartolozzi

Francesco Bartolozzi (21 September 1727 – 7 March 1815) was an Italian engraver, whose most productive period was spent in London. He is noted for popularizing the "crayon" method of engraving.