Prince Fakhr-ud Din Mirza

The subject, Prince Fakhr-ud Din Mirza, is depicted seated with attendants holding peacock fans, highlighting his royal status and the cultural nuances of the Indian subcontinent during that era.

The painting combines elements of Impressionism and Realism, characteristic of Carpenter's work during his time in India, where he focused on capturing local life, costume, and landscapes.

After its creation in 1856, the portrait's subsequent history is not detailed until its current holding at the Victoria and Albert Museum, with the artist himself returning to England the same year and later moving between the USA and London until his death in 1899.

Painted during Carpenter's extensive travels through India, Sri Lanka, Kashmir, the Punjab, and Afghanistan, this work reflects his immersion in and fascination with Indian culture, often adopting local dress himself.

As part of Carpenter's Indian oeuvre, the portrait contributes to the historical record of 19th-century Indian royalty and daily life, showcasing the artist's unique blend of Western techniques with Eastern subjects.