Charles Prince of Wales (Charles I)

Delaram’s line work is dense and intricate, characteristic of early Baroque printmaking. The engraving shows the influence of Flemish training, likely acquired under Cornelis Boel, evident in the decorative details and the handling of the cherubic figures. The background, however, lacks the same precision, appearing loosely rendered and comparatively weak.

Delaram, a printmaker active in England during the early seventeenth century, produced portraits, landscapes, and book illustrations, notably contributing to William Camden’s Historie. This particular engraving reflects his engagement with royal portraiture and his connections to both English and Flemish artistic circles.

Produced at a time when England was absorbing continental artistic trends, the print illustrates the cross‑cultural exchange between English patrons and Flemish-trained artists. The depiction of a young heir aligns with contemporary efforts to reinforce dynastic legitimacy through visual propaganda.