Artwork

The Hoseinabad Emambara and the Tomb of Mahomed Ally Khan

The Hoseinabad Emambara and the Tomb of Mahomed Ally Khan, by Felice A. Beato, 1858
The Hoseinabad Emambara and the Tomb of Mahomed Ally Khan, by Felice A. Beato, 1858

The Hoseinabad Emambara and the Tomb of Mahomed Ally Khan is a photography by the Impressionist artist Felice A. Beato. It dates from 1858 and is held in the collection of the Cleveland Museum of Art.

About this work

In front, there’s a courtyard with a shallow pool, some pots, and a few people walking or standing.

This photo shows a grand building with a big dome and lots of arches. In front, there’s a courtyard with a shallow pool, some pots, and a few people walking or standing. The walls have detailed carvings, and the whole scene looks old and carefully built.

The photo was taken in 1858, showing a real place called the Hoseinabad Emambara. The artist, Felice A. Beato, traveled to document buildings like this one.

Next, check out Felice A. Beato (British, 1830–1906) to see more of his work.

Overview

The Hoseinabad Emambara and the Tomb of Mahomed Ally Khan is a photograph taken by Felice A. Beato in 1858. It is a significant example of early photography, capturing a notable architectural site.

Subject & Meaning

The image depicts the Hoseinabad Emambara, a substantial structure with a large dome and arches, set within a courtyard featuring a shallow pool and ornate carvings. The scene conveys a sense of historical and cultural significance.

Technique & Style

Beato's photograph showcases his skill in capturing the intricate details of the building's architecture, as well as the surrounding environment, highlighting the textures and atmosphere of the scene.

History & Provenance

The photograph is now held at The Cleveland Museum of Art, a testament to its enduring importance as a historical document. It was created during Beato's travels to document significant buildings and sites.

Artist & collection

Artist

Felice A. Beato

Felice A. Beato and Felice Antonio Beato are collective signatures used by the brothers Felice Beato and Antonio Beato, who were both pioneering photographers in the 19th century. They were noted for their depictions of…

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.