Who painted Jacobo II de Inglaterra (copia)?

Jacobo II de Inglaterra (copia) was painted by Francisco Jover y Casanova in 1889.

Where can I see Jacobo II de Inglaterra (copia)?

Jacobo II de Inglaterra (copia) is held by Museo del Prado.

What movement is Jacobo II de Inglaterra (copia)?

Jacobo II de Inglaterra (copia) is associated with Post-Impressionism.

Can I buy a print of Jacobo II de Inglaterra (copia)?

Museum-quality prints of Jacobo II de Inglaterra (copia) are available made-to-order from Artifact World Gallery.

Artwork

Jacobo II de Inglaterra (copia)

Francisco Jover y Casanova , 1889

Jacobo II de Inglaterra (copia) is an oil painting by the Post-Impressionist artist Francisco Jover y Casanova. It dates from 1889 and is held in the collection of the Museo del Prado.

About this work

Overview

Created in 1889, this oil painting by Spanish artist Francisco Jover y Casanova portrays a regal figure in elaborate dress. The work belongs to the Prado Museum’s holdings and reflects the painter’s interest in historical portraiture during the late nineteenth century.

Subject & Meaning

The canvas depicts a male sitter with flowing curls, a moustache, and a sword in his right hand, his left hand placed on his hip. He is attired in a white shirt with ruffles, a red‑blue cape edged in gold, a white robe cinched with a red sash, and a gilded belt, suggesting a royal or noble identity, likely referencing James II of England.

Technique & Style

Executed in oil, the painting employs a realistic approach with careful attention to the textures of fabric, metal, and hair. Subtle contrasts between the dark background and the illuminated costume enhance the three‑dimensionality of the figure, recalling chiaroscuro methods while maintaining a post‑impressionist sensibility in brushwork.

History & Provenance

Francisco Jover y Casanova (1836–1890) produced the work while based in Madrid, shortly before his death. It entered the collection of the Museo del Prado, where it remains on display, representing the artist’s late period and his contribution to Spanish historical painting.