Who painted Untitled?

Untitled was painted by Furuyama Moromasa in 1740.

Where can I see Untitled?

Untitled is held by Metropolitan Museum of Art.

What movement is Untitled?

Untitled is associated with Baroque.

Artwork

Untitled

Furuyama Moromasa , 1740

Untitled is an ink print by the Baroque artist Furuyama Moromasa. It dates from 1740 and is held in the collection of the Metropolitan Museum of Art.

About this work

If you're interested in learning more about Japanese art, you might want to check out the work of Furuyama Moromasa.

This Japanese woodblock print from around 1740 shows a lively scene of people in a large room. The room is decorated with a few plants and a screen, and the people are dressed in traditional Japanese clothing. Some are sitting on the floor, while others are standing or walking around.

The print is done in a style that is reminiscent of Baroque art, with bold lines and vivid colors. The artist has used a technique called cross-hatching to create texture and depth in the image. The overall effect is one of energy and movement, as if the people in the room are about to spring into action.

If you're interested in learning more about Japanese art, you might want to check out the work of Furuyama Moromasa.

Overview

Created around 1740, this woodblock print by Furuyama Moromasa depicts a bustling interior gathering. Executed with ink and color on paper, the work is classified as a genre scene and is part of the collection at the Metropolitan Museum of Art.

Subject & Meaning

The composition presents a spacious room filled with figures in traditional Japanese attire. Some individuals sit on the floor while others stand or move about, suggesting a social occasion or informal gathering. Decorative elements such as a screen and potted plants frame the activity, emphasizing everyday life.

Technique & Style

The print employs bold outlines and a vivid palette, recalling the dynamism of Baroque visual language. Furuyama uses cross‑hatching to model surfaces, creating texture and a sense of depth that enhances the impression of movement within the scene.

History & Provenance

Attributed to Furuyama Moromasa, an Edo‑period printmaker active in the early 18th century, the piece has been documented as part of the Metropolitan Museum of Art’s holdings. Its dating to the 1740s places it within the artist’s mature period of genre production.