Artwork

Christ on the Lake

Christ on the Lake, by Léonard Gaultier, ink, 1578
Christ on the Lake, by Léonard Gaultier, ink, 1578

Christ on the Lake is an ink print by the Renaissance artist Léonard Gaultier. It dates from 1578 and is held in the collection of the National Gallery of Art.

About this work

Overview

Christ on the Lake is an engraving produced circa 1578 by Léonard Gaultier, a French printmaker active in the late sixteenth and early seventeenth centuries. Executed entirely with the graver, the image presents a biblical scene of Jesus standing upon water, surrounded by a boat, figures, and a distant landscape of buildings and hills.

Subject & Meaning

The composition depicts the miracle of Christ walking on water, a theme drawn from the New Testament. The central figure, robed and raising his right arm, dominates the scene, while the surrounding boat and gathered onlookers suggest a narrative moment of revelation and faith.

Technique & Style

Gaultier employs fine cross‑hatching and meticulous line work to render texture, light, and depth. The engraving displays a formal, precise quality reminiscent of the Wierix brothers and Crispyn van de Passe, with a slightly rigid handling of figures that emphasizes clarity over naturalism.

History & Provenance

Born in Mainz around 1561, Gaultier worked primarily in Paris until his death in 1641. He designed many of his own prints, ranging from portraiture to religious subjects, and Christ on the Lake belongs to this self‑designed series of devotional images.

Context

The work reflects the broader Renaissance interest in biblical illustration and the technical possibilities of printmaking. Engravings such as this allowed religious narratives to circulate widely, reaching audiences beyond the confines of painted altarpieces.

Artist & collection

Artist

Léonard Gaultier

Léonard Gaultier, or, as he sometimes signed himself, Galter, a French engraver, was born at Mainz about 1561, and died in Paris in 1641.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.