Artwork
Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. The object is a painted page from the Persian manuscript known as Tales of a Parrot (Tuti‑nama).
About this work
Overview
The object is a painted page from the Persian manuscript known as Tales of a Parrot (Tuti‑nama). Executed in black ink on a lightly yellowed paper, the surface is entirely filled with a flowing, ornamental script that creates a continuous visual rhythm across the page.
Subject & Meaning
The text on the page belongs to the moralistic collection of stories in the Tuti‑nama, a work traditionally used for instruction and reflection. Its elaborate calligraphy indicates that the content was intended to be both aesthetically pleasing and intellectually engaging for its reader.
Technique & Style
The calligrapher employed a decorative, cursive hand, with lines that curve and interlink, producing a seamless visual flow. The use of black ink on a pale, slightly aged background highlights the intricacy of the script while preserving the manuscript’s delicate materiality.
History & Provenance
The page was created as a gift for Prince Salim, the heir apparent who later ascended the Mughal throne as Emperor Jahangir. Its production for a royal patron reflects the high level of artistic skill and the cultural value placed on illuminated texts in the Mughal court.
Context
During the early 17th century, the Mughal empire fostered a synthesis of Persian literary traditions and Indian artistic practices. Manuscripts such as the Tuti‑nama were commissioned to demonstrate erudition and to reinforce moral teachings within elite circles.
Legacy
Works like this page illustrate the sophisticated calligraphic art that flourished under Jahangir’s patronage, influencing subsequent generations of manuscript production across the Indian subcontinent.
Artist & collection










