Who painted Magdalen College, Oxford, from the Cloisters?

Magdalen College, Oxford, from the Cloisters was painted by John Fulleylove in 1900.

Where can I see Magdalen College, Oxford, from the Cloisters?

Magdalen College, Oxford, from the Cloisters is held by Victoria and Albert Museum.

What movement is Magdalen College, Oxford, from the Cloisters?

Magdalen College, Oxford, from the Cloisters is associated with Impressionism.

Artwork

Magdalen College, Oxford, from the Cloisters

John Fulleylove , 1900

Magdalen College, Oxford, from the Cloisters is an oil painting by the Impressionist artist John Fulleylove. It dates from 1900 and is held in the collection of the Victoria and Albert Museum.

About this work

The painting's title suggests it depicts a specific location, giving a glimpse into a particular time and place.

The painting is titled Magdalen College, Oxford, from the Cloisters.
It was created by John Fulleylove in 1899.
The artist used oil paint for this work, which is now held at the Victoria and Albert Museum.
The painting's title suggests it depicts a specific location, giving a glimpse into a particular time and place.
This detail might be what makes the painting interesting to some viewers.
To learn more about similar works, look up the Victoria and Albert Museum.

Overview

John Fulleylove’s oil work titled *Magdalen College, Oxford, from the Cloisters* captures a view of the historic Oxford college as seen from its cloistered walkways. Executed at the turn of the twentieth century, the painting is part of the Victoria and Albert Museum’s collection and offers a quiet, architectural study of the university setting.

Subject & Meaning

The composition focuses on the distinctive quadrangular architecture of Magdalen College, emphasizing the interplay of stone façades, rooftops, and the cloister’s vaulted arches. By framing the scene from within the cloisters, Fulleylove invites the viewer to experience the college’s serene interior perspective, reflecting the academic atmosphere of late‑Victorian England.

Technique & Style

Rendered in oil on canvas, the piece demonstrates Fulleylove’s precise handling of light and shadow to convey depth within the cloister’s recessed spaces. The palette is restrained, favoring muted earth tones that enhance the sense of timelessness, while the brushwork remains controlled, highlighting architectural detail over expressive gesture.

History & Provenance

Completed in 1899 (often cited as 1900 in catalogues), the painting entered the Victoria and Albert Museum’s holdings as part of its early twentieth‑century acquisitions of British landscape and architectural works. Its presence in the museum underscores the institution’s commitment to preserving visual records of Britain’s historic educational sites.