Artwork

The Courtesan Takigawa of Ogiya (from the series Seven Aspects of Komachi in the Green Houses)

The Courtesan Takigawa of Ogiya (from the series Seven Aspects of Komachi in the Green Houses) is a print by the Romanticist artist Kitagawa Utamaro. It dates from 1797 and is held in the collection of the Cleveland Museum of Art.

About this work

This print shows a woman in a soft pink kimono sitting on the floor, combing her hair. A small tray with a cup sits beside her. The light catches her hair and the fabric’s folds.

Utamaro often drew courtesans with quiet dignity. Here, he uses simple details—hair, robe, and tray—to make her feel real, not just pretty.

If you like this, look up Kitagawa Utamaro (Japanese, c. 1754–1806).

Overview

This woodblock print from the series 'Seven Aspects of Komachi in the Green Houses' depicts Takigawa, a renowned courtesan of the Ogiya brothel in Yoshiwara, in a serene, post-bath scene.

Subject & Meaning

Takigawa is portrayed in a moment of quiet intimacy, combing her hair while seated in a soft pink kimono, with a nearby tray and cup suggesting a recent bath. The composition conveys a sense of understated dignity.

Technique & Style

Utamaro employs subtle, nuanced details—the play of light on hair and fabric folds—to create a sense of realism, distinguishing the subject as more than a mere decorative figure.

History & Provenance

Part of a larger series, this print can be contrasted with Utamaro's other depiction of Takigawa (Woman Drying Her Hands) to highlight the artist's ability to evoke different moods through varied poses and attire.

Context

Created by Kitagawa Utamaro (c. 1754–1806), this work reflects his characteristic approach to portraying courtesans with gravity and depth, beyond mere aesthetic appeal.