Artwork

『春雨集』 摺物帖窪俊満画 『鎌倉志』 「影向石」|Spring Rain Collection (Harusame shū), vol. 1: “Offering Incense to the Deity of the Stone” (Yōgōishi), from the series History of Kamakura (Kamakura shi)

『春雨集』 摺物帖窪俊満画 『鎌倉志』 「影向石」|Spring Rain Collection (Harusame shū), vol. 1: “Offering Incense to the Deity of the Stone” (Yōgōishi), from the series History of Kamakura (Kamakura shi), by Kubo Shunman, ink, 1814
『春雨集』 摺物帖窪俊満画 『鎌倉志』 「影向石」|Spring Rain Collection (Harusame shū), vol. 1: “Offering Incense to the Deity of the Stone” (Yōgōishi), from the series History of Kamakura (Kamakura shi), by Kubo Shunman, ink, 1814

『春雨集』 摺物帖窪俊満画 『鎌倉志』 「影向石」|Spring Rain Collection (Harusame shū), vol. 1: “Offering Incense to the Deity of the Stone” (Yōgōishi), from the series History of Kamakura (Kamakura shi) is an ink print by the Romanticist artist Kubo Shunman. It dates from 1814 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

This woodblock print, 'Offering Incense to the Deity of the Stone,' is part of the 'Spring Rain Collection,' a series illustrating the 'History of Kamakura.' Created around 1814 by Kubo Shunman, it is a privately published surimono mounted in an album.

Subject & Meaning

The print depicts a kneeling woman in a red kimono presenting an offering to a bearded figure seated on a pile of objects, with a red, furry creature on his head. The scene is accompanied by Japanese text, likely a poem or narrative, adding context to the ritual or mythological scene.

Technique & Style

Executed in ink and color on paper, the print showcases the characteristic subtle texture and intricate details of woodblock printing. The use of vibrant colors, such as red, and the delicate rendering of figures and objects demonstrate Shunman's skill in this traditional Japanese technique.

History & Provenance

The print is now held at The Metropolitan Museum of Art, indicating its recognition as a significant work within the artist's oeuvre and the broader context of Japanese art.

Artist & collection