Artwork
The Adoration of the Shepherds

The Adoration of the Shepherds is an ink drawing by the Baroque artist Andrea Lilio. It dates from 1605 and is held in the collection of the National Gallery of Art.
About this work
Overview
Andrea Lilio’s drawing, dated around 1605, presents a nocturnal gathering centered on a woman cradling an infant, surrounded by shepherds. Executed on laid paper affixed to an older mount, the work combines black and red chalks with pen and brown‑gray ink. The composition captures a moment of reverence within a loosely rendered, densely populated scene.
Subject & Meaning
The image illustrates the biblical episode of the shepherds’ adoration of the newborn Christ. By placing the infant at the focal point of a crowd, Lilio emphasizes the communal recognition of the divine birth, reflecting Counter‑Reformation interests in accessible, emotionally resonant religious narratives.
Technique & Style
Lilio employs overlapping hatching and rapid, gestural lines to model forms and suggest chiaroscuro. Black and red chalks define the figures, while pen and ink add depth and texture to the background architecture and foliage. The sketchy, unfinished quality indicates a preparatory study, with emphasis on tonal variation rather than polished finish.
History & Provenance
Created circa 1605, the drawing likely served as a compositional trial for a larger painted work. It remains on laid paper mounted on an older support, a common conservation practice for fragile drawings of the period. The piece is attributed to Lilio based on stylistic parallels with his known oeuvre.
Artist & collection








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