Artwork

L'abside de Notre-Dame de Paris (The Apse of the Cathedral of Notre-Dame, Paris)

L'abside de Notre-Dame de Paris (The Apse of the Cathedral of Notre-Dame, Paris), by Charles Meryon, ink, 1854
L'abside de Notre-Dame de Paris (The Apse of the Cathedral of Notre-Dame, Paris), by Charles Meryon, ink, 1854

L'abside de Notre-Dame de Paris (The Apse of the Cathedral of Notre-Dame, Paris) is an ink print by the Impressionist artist Charles Meryon. It dates from 1854 and is held in the collection of the National Gallery of Art.

About this work

Overview

L'abside de Notre-Dame de Paris is a 1854 print by Charles Meryon, combining etching, drypoint, and engraving on laid paper. It depicts the apse of Notre-Dame Cathedral in Paris, showcasing Meryon's affinity for Gothic architecture and atmospheric cityscapes.

Subject & Meaning

The print focuses on the imposing apse of Notre-Dame, set amidst simpler adjacent buildings, a river scene with a bridge, wagon, and boats, and figures on the riverbank. The composition highlights the cathedral's intricate details against a textured, expressive sky.

Technique & Style

Meryon, largely limited to etching due to colour blindness, employed lines to achieve depth, creating a near three-dimensional effect. The interplay of precise architectural rendering and expressive, rough skies reflects his distinctive Gothic vision of Paris.

History & Provenance

Created in 1854, this work is part of Meryon's renowned series of Parisian views. The artist's life was later marked by mental illness, leading to his death in an asylum in 1868.

Artist & collection

Portrait of Charles Meryon

Artist

Charles Meryon

Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868) was a French artist who worked almost entirely in etching, as he had colour blindness.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.