Edge of a Wood with Travelers in a Carriage

Morin employed his characteristic hybrid technique, blending engraving and etching on a single plate. Expressive lines capture light, shadow, and texture, achieving a sense of realism typical of 17th-century Baroque printmaking.

Created in 1625, this work exemplifies Morin's influence in printmaking innovation during the early 17th century. Specific provenance details are not provided.

This piece reflects the Baroque era's fascination with capturing dynamic natural environments and everyday activities through detailed, light-sensitive prints.