Who painted James Montagu, Bishop of Winchester?

James Montagu, Bishop of Winchester was painted by Magdalena van de Passe in 1620.

Where can I see James Montagu, Bishop of Winchester?

James Montagu, Bishop of Winchester is held by National Gallery of Art.

What movement is James Montagu, Bishop of Winchester?

James Montagu, Bishop of Winchester is associated with Baroque.

Artwork

James Montagu, Bishop of Winchester

Magdalena van de Passe , 1620

James Montagu, Bishop of Winchester is an ink print by the Baroque artist Magdalena van de Passe. It dates from 1620 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1620, this black‑and‑white engraving by Magdalena van de Passe portrays James Montagu, who served as Bishop of Winchester. The portrait presents the cleric in formal attire, emphasizing his status through a wide‑brimmed hat, a long beard, and a dignified pose.

Subject & Meaning

The figure holds a folded document in one hand while resting his chin on the other, suggesting contemplation or the administration of ecclesiastical duties. The Latin inscription “Jacobus Montagu Episcopus Vintonia” identifies the sitter and his episcopal office, reinforcing his religious authority.

Technique & Style

Van de Passe employed the traditional intaglio process, incising fine lines into a copper plate with a burin before inking and pressing onto paper. The rendering relies on delicate cross‑hatching to model facial features and fabric, achieving a subtle gradation of tone without any color.

History & Provenance

The print originates from the early seventeenth‑century Dutch engraving workshop of the van de Passe family, known for portraiture of European elites. It likely circulated among clerical and noble circles as a means of commemorating Montagu’s episcopacy.

Context

During the period, portrait engravings served both documentary and propagandistic purposes, providing a visual record of prominent figures for a wider audience. The work reflects the Protestant English church’s engagement with continental artistic networks, particularly the Dutch print‑making tradition.