Concert des Anges autour de l'enfant Jesus (Concert of Angels around the Infant Jesus)

Saint‑Morys employed both traditional etching and the aquatint process, allowing for delicate line work alongside broad, velvety tonal areas. The brown pigment lends warmth, while the subtle gradations create a sense of depth and a softly luminous quality reminiscent of late Baroque sensibilities, though rendered in print rather than paint.

The print is part of the collection of the National Gallery of Art in Washington, D.C. It entered the museum through acquisition in the 20th century, representing a rare example of Saint‑Morys’s printmaking output and illustrating the continued interest in religious subjects among French artists of the late eighteenth century.