Who painted Moartea Fecioarei Maria (în Reg. Inv.: Moartea Mariei)?

Moartea Fecioarei Maria (în Reg. Inv.: Moartea Mariei) was painted by Carlo Saraceni.

Where can I see Moartea Fecioarei Maria (în Reg. Inv.: Moartea Mariei)?

Moartea Fecioarei Maria (în Reg. Inv.: Moartea Mariei) is held by Brukenthal National Museum.

What movement is Moartea Fecioarei Maria (în Reg. Inv.: Moartea Mariei)?

Moartea Fecioarei Maria (în Reg. Inv.: Moartea Mariei) is associated with Baroque.

Artwork

Moartea Fecioarei Maria (în Reg. Inv.: Moartea Mariei)

Carlo Saraceni

Moartea Fecioarei Maria (în Reg. Inv.: Moartea Mariei) is an unspecified painting by the Baroque artist Carlo Saraceni. It is held in the collection of the Brukenthal National Museum.

About this work

Overview

The work titled *Moartea Fecioarei Maria* (also catalogued as *Moartea Mariei*) presents a solemn interior scene in which a group of figures gathers around a woman lying on a bed. A red curtain drapes from the left side of the composition, while arches and columns define the surrounding space, creating a sense of architectural enclosure.

Subject & Meaning

The central figure appears to be a deceased woman, likely the Virgin Mary, surrounded by mourners who kneel or stand in quiet reverence. The arrangement of the participants conveys an intimate, devotional atmosphere, emphasizing collective grief and respect for the departed.

Technique & Style

Warm tonal values and soft illumination dominate the palette, lending the scene a gentle emotional resonance. The handling of light and color, together with the careful rendering of architectural elements, recalls the compositional approach of Carlo Saraceni, whose influence is evident in the painter’s treatment of space and figure.

History & Provenance

The painting is recorded under the inventory reference *Moartea Mariei* and is classified as an image rather than a traditional canvas work. No further provenance details are provided in the available documentation.

Artist & collection

Artist

Carlo Saraceni

Carlo Saraceni (1579 – 16 June 1620) was an Italian early-Baroque painter, whose reputation as a "first-class painter of the second rank" was improved with the publication of a modern monograph in 1968.