Artwork

月岡芳年画 「清盛入道布引滝遊覧 悪源太義平霊討難波次郎」|The Spirit of Akugenta Yoshihira Strikes Nanba Jirō during Kiyomori’s Visit to Nunobiki Waterfall

月岡芳年画  「清盛入道布引滝遊覧 悪源太義平霊討難波次郎」|The Spirit of Akugenta Yoshihira Strikes Nanba Jirō during Kiyomori’s Visit to Nunobiki Waterfall, by Yoshitoshi, ink, 1868
月岡芳年画  「清盛入道布引滝遊覧 悪源太義平霊討難波次郎」|The Spirit of Akugenta Yoshihira Strikes Nanba Jirō during Kiyomori’s Visit to Nunobiki Waterfall, by Yoshitoshi, ink, 1868

月岡芳年画 「清盛入道布引滝遊覧 悪源太義平霊討難波次郎」|The Spirit of Akugenta Yoshihira Strikes Nanba Jirō during Kiyomori’s Visit to Nunobiki Waterfall is an ink print by the Impressionist artist Yoshitoshi. It dates from 1868 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Tsukioka Yoshitoshi’s 1868 triptych, titled “The Spirit of Akugenta Yoshihira Strikes Nanba Jirō during Kiyomori’s Visit to Nunobiki Waterfall,” is a multicolored woodblock print composed of three sheets. Executed in the nishiki-e technique, the work combines ink and pigments on paper and is part of the Metropolitan Museum of Art’s collection.

Subject & Meaning

The scene depicts a nocturnal encounter at Nunobiki Waterfall, where the spectral figure of Akugenta Yoshihira lunges at the warrior Nanba Jirō. The ghost’s wild red hair, pallid visage, and armor‑like adornments convey a violent, supernatural assault, reflecting the dramatic narratives common in late‑Edo period storytelling.

Technique & Style

Yoshitoshi employs bold, black contour lines and vivid color blocks to isolate the leaping specter against a storm‑filled sky. The contrast of bright pigments with the dark background heightens the sense of movement, while the intricate rendering of rocks, water, and a wooden bridge anchors the fantastical figure in a recognizable landscape.

History & Provenance

Created in the tumultuous years of the Meiji Restoration, the print was produced as part of a series of illustrated books that blended historical legend with popular folklore. It entered the Metropolitan Museum of Art’s holdings through a 20th‑century acquisition of Japanese prints, where it remains on view as an example of Yoshitoshi’s late career output.

Context

The work belongs to the ukiyo‑e tradition of narrative prints that flourished in the late 19th century, a period when artists like Yoshitoshi responded to shifting social conditions by dramatizing historical episodes and ghost stories. The depiction of Kiyomori’s visit to Nunobiki Waterfall ties the image to the famed Heian‑era figure Taira no Kiyomori, linking past political intrigue with supernatural retribution.

Artist & collection

Portrait of Yoshitoshi

Artist

Yoshitoshi

Tsukioka Yoshitoshi (Japanese: 月岡芳年; also named Taiso Yoshitoshi 大蘇芳年; 30 April 1839 – 9 June 1892) was a Japanese printmaker.