Artwork

新柳二十四時午前十二時|Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji)

新柳二十四時午前十二時|Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji) is an ink print by the Impressionist artist Yoshitoshi. It dates from 1880 and is held in the collection of the Metropolitan Museum of Art.

About this work

The background is red, with a white rectangle at the top containing Japanese writing and a drawing of a person in a green robe.

This painting shows a woman in traditional Japanese clothing, sitting in a chair. She has black hair and wears a dark robe with a blue and gold sash. The background is red, with a white rectangle at the top containing Japanese writing and a drawing of a person in a green robe.

To the right of the woman is a purple fabric with a white pattern, and a small potted plant with pink flowers. There is also a vertical strip of Japanese writing on the right side of the painting.

The painting is a woodblock print, ink, and color on paper, created by Tsukioka Yoshitoshi in 1880. You can learn more about the artist's use of cross-hatching technique.

Overview

This woodblock print, created in 1880 by Tsukioka Yoshitoshi, is part of a series titled 'Twenty-Four Hours at Shinbashi/Yanagibashi'. It is a representation of a scene at noon, rendered in ink and color on paper.

Subject & Meaning

The print depicts a woman in traditional Japanese attire, seated in a chair, surrounded by symbolic elements such as a potted plant with pink flowers and a purple fabric with a white pattern. Japanese writing is present in two areas, adding another layer of meaning.

Technique & Style

The artwork showcases Yoshitoshi's use of vibrant colors and intricate details, characteristic of his style. The print's composition, including the red background and the use of cross-hatching technique, highlights the artist's technical skill.

History & Provenance

The print is currently held at The Metropolitan Museum of Art, indicating its significance in the art historical canon.