Artwork
The Ascension
The Ascension is a print by Schelte Bolswert. It dates from 1650 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
The Ascension is a 1650 print by Schelte Bolswert, based on a design by Sir Anthony van Dyck, depicting the moment of Christ's ascension into heaven.
Subject & Meaning
The print illustrates a pivotal Christian event: Christ's ascension, as witnessed by a group of awestruck onlookers. The Latin inscription *Videntibus illis elevatus est* (And as they looked on, he was lifted up) underscores the scene's significance.
Technique & Style
Executed on paper, the print employs strong contrasts and deep shadows, characteristic of chiaroscuro, to emphasize the central figure. Radiant light envelops the ascending Christ, drawing the viewer's eye upward, while the darker, more subdued tones of the onlookers enhance the dramatic effect.
History & Provenance
Created in 1650 by Schelte Bolswert from a Van Dyck design, the print's provenance details are not specified in available information.
Context
The work reflects the Baroque period's emphasis on dramatic lighting and emotionally charged religious scenes, common in 17th-century European art.
Legacy
While specific influences or notable exhibitions of this print are not detailed, it contributes to the broader legacy of Van Dyck's designs and the evolution of chiaroscuro in printmaking.
Artist & collection
Artist
Schelte a Bolswert or Schelte Adamsz. Bolswert was a Frisian engraver who worked most of his career in Antwerp where he was one of the lead engravers in Rubens' workshop. He is known for his reproductive works after…
