Artwork

The Dragon and the Beast

The Dragon and the Beast, by Jean Duvet, ink, 1551
The Dragon and the Beast, by Jean Duvet, ink, 1551

The Dragon and the Beast is an ink print by the Renaissance artist Jean Duvet. It dates from 1551 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1551, *The Dragon and the Beast* is an engraving on laid paper by French artist Jean Duvet. The print presents a densely packed scene of intertwined figures, a winged beast and a coiling dragon, set against a chaotic urban backdrop. Fine linear work generates a sense of depth despite the crowded composition, and a marginal inscription references a biblical passage.

Subject & Meaning

The central motif features a ferocious, toothed creature rising from the ground, encircled by a dragon, suggesting a confrontation drawn from apocalyptic imagery. Surrounding figures—standing, climbing, and moving through the space—reinforce a narrative of struggle and divine judgment, aligning with Duvet’s preoccupation with intense religious themes.

Technique & Style

Duvet employed delicate, intersecting lines to model shadow and texture, achieving a precise yet vigorous effect. The engraving’s crowded arrangement and somewhat naïve rendering distinguish it from contemporary French prints, while its energetic line work anticipates later expressive approaches, such as those seen in William Blake’s oeuvre.

History & Provenance

Jean Duvet, recognized as the first major French printmaker, produced roughly 73 plates during his career. *The Dragon and the Beast* belongs to this body of work and bears the inscription “Hist. Is. Cap. 13. Etig. Apoc.”, indicating a scriptural source. The print has survived in several museum collections, attesting to its continued scholarly interest.

Context

Working in the mid‑sixteenth century, Duvet combined his goldsmith’s precision with the emerging possibilities of printmaking. His engravings, marked by dense compositions and strong religious content, reflect the Counter‑Reformation climate in France, where visual art served as a vehicle for doctrinal reinforcement.

Artist & collection

Portrait of Jean Duvet

Artist

Jean Duvet

Jean Duvet (1485 – after 1562) was a French Renaissance goldsmith and engraver, now best known for his engravings.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.