Saint Paul Heals the Lame Man at Lystra

Galle employs fine engraving and dense cross‑hatching to model forms and suggest depth. Intricate line work defines the figures, architecture, and a prominent stone column, creating texture and a sense of three‑dimensional space typical of Northern Renaissance printmaking.

Philip Galle, a Dutch publisher and engraver active in the late sixteenth century, was known for both reproducing works of earlier masters and producing original designs. This print belongs to his output of religious subjects, a genre that circulated widely among collectors and devotional audiences of the period.

The work fits within the broader tradition of Northern Renaissance religious engravings, which sought to disseminate biblical narratives through affordable, reproducible media. Such prints served both didactic and devotional purposes, reinforcing scriptural stories for a growing literate public.