Artwork
Mulier Augustae Vindelicorum
Mulier Augustae Vindelicorum is an ink print by the Baroque artist Wenceslaus Hollar. It dates from 1647 and is held in the collection of the National Gallery of Art. Created in 1647, this black‑and‑white etching presents a solitary woman dressed in period attire.
About this work
Overview
Created in 1647, this black‑and‑white etching presents a solitary woman dressed in period attire. She stands against an unadorned backdrop, her left hand placed on her hip and her right hand holding the hem of a long, belted gown. A wide‑brimmed hat and a ruffled collar complete the costume, emphasizing a stylized, almost allegorical figure.
Subject & Meaning
The inscription *Mulier Augustae Vindelicorum* identifies the figure as the “Woman of Augsburg,” linking the image to the German city known historically as Augusta Vindelicorum. While the work does not depict a specific individual, the title suggests a personification of the city, a common practice in early modern visual culture to embody civic identity in a female form.
Technique & Style
Executed by the Czech‑born printmaker Wenceslaus Hollar, the image is rendered through etching, a process that allows fine line work and delicate shading. Hollar’s characteristic precision is evident in the intricate rendering of the clothing’s folds and the crisp delineation of the hat’s brim, while the plain ground focuses attention on the figure’s silhouette.
History & Provenance
Hollar, who spent much of his professional life in England, produced this work during a prolific period of topographical and genre prints. The etching bears his signature in the lower corner, confirming authorship. It entered collections of European print enthusiasts in the late 17th century and has since been documented in several museum holdings specializing in early modern graphic art.
Artist & collection
Artist
Wenceslaus Hollar (Czech: Václav Hollar (Czech pronunciation: ), German: Wenzel Hollar; 23 July 1607 – 25 March 1677) was a Czech engraver, etcher and painter.
