Who painted Self-Portrait (The Trade Card of Anthoine Jacquard)?

Self-Portrait (The Trade Card of Anthoine Jacquard) was painted by Antoine Jacquard in 1612.

Where can I see Self-Portrait (The Trade Card of Anthoine Jacquard)?

Self-Portrait (The Trade Card of Anthoine Jacquard) is held by National Gallery of Art.

What movement is Self-Portrait (The Trade Card of Anthoine Jacquard)?

Self-Portrait (The Trade Card of Anthoine Jacquard) is associated with Renaissance.

Artwork

Self-Portrait (The Trade Card of Anthoine Jacquard)

Antoine Jacquard , 1612

Self-Portrait (The Trade Card of Anthoine Jacquard) is an ink print by the Renaissance artist Antoine Jacquard. It dates from 1612 and is held in the collection of the National Gallery of Art.

About this work

Overview

Antoine Jacquard’s self‑portrait, executed as an engraving on laid paper in 1612, presents the artist in a formal three‑quarter pose. The image is framed by an elaborate decorative border that incorporates motifs such as a sword, shield and gloves, and bears the artist’s name in French along its upper and lower edges.

Subject & Meaning

The central figure is Jacquard himself, attired in a ruffled collar and hat, with a sword at his side, gazing directly at the viewer. The inclusion of martial accessories within the border may allude to the artist’s personal identity or aspirations toward the virtues of honor and bravery.

Technique & Style

Rendered with fine cross‑hatching, the engraving demonstrates meticulous line work that creates subtle tonal variations and texture. The precision of the incised lines and the balanced composition reflect the high level of craftsmanship typical of early‑17th‑century printmaking.

History & Provenance

Created in 1612, the print functioned as a trade card, a portable advertisement for Jacquard’s services. Its survival on laid paper indicates it was likely produced in limited numbers for distribution among patrons and fellow artists.

Context

During the early Baroque period, self‑portraiture served both as a means of self‑assertion and as a professional calling card for artists. Jacquard’s use of an ornate border aligns with contemporary practices of embellishing prints to attract clientele.