Artwork

Meeting of Mary and Elisabeth

Meeting of Mary and Elisabeth, by Marx Reichlich, wood, 1511
Meeting of Mary and Elisabeth, by Marx Reichlich, wood, 1511

Meeting of Mary and Elisabeth is a wood painting by the Northern Renaissance artist Marx Reichlich. It dates from 1511 and is held in the collection of the Alte Pinakothek.

About this work

Overview

Created in 1511 by Austrian artist Marx Reichlich, this wooden panel portrays the biblical Visitation, a moment when the pregnant Virgin Mary meets her relative Elisabeth. The work exemplifies the Northern Renaissance’s focus on religious narrative and meticulous figure rendering, and it is presently part of the Alte Pinakothek’s collection.

Subject & Meaning

The central figures are Mary, dressed in blue with a red cloak, and the elder Elisabeth, clothed in red and white, whose hands meet in a gentle greeting. Two additional women flank them, one bearing a white pitcher balanced on her head, underscoring the domestic hospitality associated with the encounter. The scene conveys themes of kinship, divine blessing, and the sharing of prophetic joy.

Technique & Style

Executed on wood, the panel displays the fine detailing typical of Northern Renaissance painting, with carefully modeled faces and textured fabrics. A restrained palette of muted tones is punctuated by vivid reds and blues, while the interior setting is rendered with precise perspective, leading the eye toward a distant village and a storm‑laden sky.

History & Provenance

Reichlich, known for large ecclesiastical commissions such as his *Adoration of the Magi* and *Last Judgment*, produced this work during a period when devotional subjects dominated his output. After remaining in private or ecclesiastical hands for centuries, the panel entered the Alte Pinakothek’s holdings, where it is displayed among other Northern Renaissance pieces.

Context

The Visitation was a popular subject in early 16th‑century Central European art, reflecting contemporary theological emphasis on the role of women in salvation history. Reichlich’s treatment aligns with the period’s interest in intimate, narrative scenes that could serve both liturgical and didactic purposes within church settings.

Artist & collection

Artist

Marx Reichlich

Marx Reichlich (1460–1520) was an Austrian painter. Reichlich was a painter of primarily religious works. He painted a number of traditional scenes as commissions for churches, including "Adoration of the Magi", and…

Alte Pinakothek

Museum

Alte Pinakothek

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This work is in the public domain (CC0). Image source: Alte Pinakothek open access. Spotted an error in this record? Tell us.