Artwork
Alliance de l'Allemagne et de l'Espagne avec la Hollande 1672 Cintre de la Gallerie du côté du Salon de la Guerre (Alliance of Germany and Spain with Holland 1672, Center of the Gallery next to the Salon of War) [pl. 31]
![Alliance de l'Allemagne et de l'Espagne avec la Hollande 1672 Cintre de la Gallerie du côté du Salon de la Guerre (Alliance of Germany and Spain with Holland 1672, Center of the Gallery next to the Salon of War) [pl. 31], by Jean-Baptiste Massé, ink, 1752](https://artifactworldgallery.com/img/jean-baptiste-masse--alliance-de-l-allemagne-et-de-l-espagne-avec-la-hollande-167--4b670ecaa7c4c5d8-w1024.webp)
Alliance de l'Allemagne et de l'Espagne avec la Hollande 1672 Cintre de la Gallerie du côté du Salon de la Guerre (Alliance of Germany and Spain with Holland 1672, Center of the Gallery next to the Salon of War) [pl. 31] is an ink print by the Romanticist artist Jean-Baptiste Massé. It dates from 1752 and is held in the collection of the National Gallery of Art. Jean‑Baptiste Massé’s 1752 engraving, executed on laid paper, captures a seventeenth‑century diplomatic episode.
About this work
On the left, soldiers in armor fight with weapons, while on the right, a woman in flowing robes stands on a raised platform, reaching toward them.
This print shows a dramatic scene with two groups of people in the middle of action. On the left, soldiers in armor fight with weapons, while on the right, a woman in flowing robes stands on a raised platform, reaching toward them. The background has a grand staircase and a canopy, with more figures in the distance.
Notice the text at the bottom—it’s French and names a 1672 alliance between Germany, Spain, and Holland. This isn’t just a battle; it’s a historical moment turned into art.
If this style of storytelling in art interests you, look up engraving.
Overview
Jean‑Baptiste Massé’s 1752 engraving, executed on laid paper, captures a seventeenth‑century diplomatic episode. The image occupies a central position in a gallery scene that adjoins the Salon of War, illustrating the 1672 alliance among the German states, Spain and the Dutch Republic.
Subject & Meaning
The composition juxtaposes two contrasting groups: on the left, armored soldiers engaged in combat, while on the right a robed woman stands on an elevated platform, extending a gesture toward the fighters. The tableau suggests a narrative of political union expressed through martial and ceremonial elements, emphasizing the cooperative intent of the treaty.
Technique & Style
Massé employed fine line engraving to render intricate details of armor, fabric, and architectural background. The use of laid paper provides a subtle texture that enhances the depth of the stairwell and canopy, while the balanced distribution of figures reflects the orderly aesthetic typical of mid‑eighteenth‑century French printmaking.
History & Provenance
The print forms part of the *Galerie de Versailles* series, a collection of historical paintings reproduced as engravings between 1732 and 1753. Massé, known for his work at the court of Louis XV, contributed this piece to the project, which aimed to disseminate images of French royal history and diplomatic achievements.
Context
Created during a period when French art served both decorative and didactic purposes, the engraving aligns with contemporary efforts to memorialize past alliances that reinforced France’s political narrative. Its placement beside the Salon of War underscores the connection between military prowess and diplomatic strategy.
Artist & collection
Artist
Jean-Baptiste Massé (29 December 1687, in Paris – 26 September 1767, in Paris) was a French miniature painter, engraver, and draftsman, best remembered as the court painter of Louis XV, for training Jean-Étienne Liotard…

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