Artwork
Large Pendant, Hope Standing at Centre

Large Pendant, Hope Standing at Centre is an ink print by the Renaissance artist Daniel Mignot. It dates from 1593 and is held in the collection of the National Gallery of Art.
About this work
Overview
Daniel Mignot’s 1593 engraving titled Large Pendant, Hope Standing at Centre presents a solitary female figure positioned centrally within an elaborately rendered pendant. The composition is dominated by fine linear work that delineates both the figure’s attire and the surrounding ornamental framework, creating a balanced visual focus on the central allegorical presence.
Subject & Meaning
The central figure is identified as Hope, an allegorical personification common in late‑sixteenth‑century iconography. She is depicted upright, embodying the virtue’s forward‑looking stance, while the surrounding decorative motifs reinforce the theme of aspiration and stability associated with the concept of hope.
Technique & Style
Executed as an engraving, the work showcases Mignot’s command of line incision and cross‑hatching to render texture and depth. The intricate patterns on the garment and the pendant’s surface suggest a meticulous study of metalwork and jewelry design, translating three‑dimensional ornamentation into a two‑dimensional print medium.
History & Provenance
Created in 1593, the print is attributed to the French engraver Daniel Mignot, known for his detailed allegorical and ornamental prints. The piece survives in several museum collections, reflecting its circulation among collectors of early modern prints and its inclusion in catalogues of Mignot’s oeuvre.
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