Who painted Large Pendant, Surrounded by Twelve Small Studs?

Large Pendant, Surrounded by Twelve Small Studs was painted by Daniel Mignot in 1593.

Where can I see Large Pendant, Surrounded by Twelve Small Studs?

Large Pendant, Surrounded by Twelve Small Studs is held by National Gallery of Art.

What movement is Large Pendant, Surrounded by Twelve Small Studs?

Large Pendant, Surrounded by Twelve Small Studs is associated with Renaissance.

Artwork

Large Pendant, Surrounded by Twelve Small Studs

Daniel Mignot , 1593

Large Pendant, Surrounded by Twelve Small Studs is an ink print by the Renaissance artist Daniel Mignot. It dates from 1593 and is held in the collection of the National Gallery of Art.

About this work

Overview

Daniel Mignot’s 1593 engraving presents a detailed study of a metal pendant accompanied by twelve smaller decorative studs. The composition isolates the objects, allowing close observation of the ornamental motifs that characterize the piece.

Subject & Meaning

The central pendant is rendered as a substantial, richly ornamented element, its surface covered with intricate swirls, dots, and miniature loops. Encircling it, the twelve studs echo the main design, each featuring similar decorative patterns that suggest a cohesive jewelry set.

Technique & Style

Executed in fine line engraving, the image employs precise hatching and cross‑hatching to convey the texture of metal and the depth of the carved details. The use of triangular and curved line work reflects the ornamental metalwork conventions of late‑sixteenth‑century Europe.

History & Provenance

Created in 1593, the print is attributed to French engraver Daniel Mignot, known for his illustrative renderings of decorative arts. The work likely served as a reference for jewelers or as a collector’s illustration of contemporary metal designs.

Context

During the late Renaissance, detailed engravings of ornamental objects were common, providing visual documentation for artisans and patrons. Mignot’s depiction aligns with this tradition, illustrating the aesthetic preferences for elaborate, patterned jewelry of the period.