Artwork

Lot and His Daughters

Lot and His Daughters, by Jan Muller, ink, 1600
Lot and His Daughters, by Jan Muller, ink, 1600

Lot and His Daughters is an ink print by the Renaissance artist Jan Muller. It dates from 1600 and is held in the collection of the National Gallery of Art. Jan Harmensz.

About this work

Overview

Muller, a Dutch printmaker active at the turn of the 17th century, produced an engraving titled *Lot and His Daughters* circa 1600.

Jan Harmensz. Muller, a Dutch printmaker active at the turn of the 17th century, produced an engraving titled *Lot and His Daughters* circa 1600. Executed on laid paper, the work presents a stark, monochrome rendition of the biblical escape from Sodom, rendered through the artist’s characteristic linear precision. The image measures roughly a modest sheet size and reflects the period’s interest in narrative religious subjects.

Subject & Meaning

The composition illustrates the moment after Lot and his two daughters have fled the destroyed city, taking shelter in a cavern. The father is depicted slumped, partially concealed by a mantle, while the daughters lean close, one appearing to offer a drink. The tableau hints at the subsequent biblical episode of incest, suggesting a moral complexity that would have resonated with contemporary viewers familiar with the scriptural story.

Technique & Style

Muller employed the engraving medium, incising fine lines into a copper plate before transferring the image onto laid paper. The artist’s use of cross‑hatching and varied line weight creates a sense of volume, especially in the figures’ drapery and the rugged rock walls. The contrast between sharply delineated forms and more gestural, almost sketch‑like strokes in the hair and clothing demonstrates a blend of meticulous draftsmanship and expressive handling.

History & Provenance

After a period of study in Italy, where he refined his printmaking skills, Muller returned to Amsterdam and continued the family enterprise established by his father, a printer, engraver, and publisher. The engraving was likely produced for the book market or as a standalone print. Muller remained active in the Dutch art scene until his death in 1628, after which his works circulated among collectors of religious prints.

Artist & collection

Portrait of Jan Muller

Artist

Jan Muller

Jan Harmensz. Muller (1571–1628) was a Dutch engraver and painter. Muller was born in Amsterdam. His father was a book printer, engraver and publisher. He learned the engraving trade while working in the family…

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.