Who painted Edward Cecil, Viscount Wimbledon?

Edward Cecil, Viscount Wimbledon was painted by Simon van de Passe in 1618.

Where can I see Edward Cecil, Viscount Wimbledon?

Edward Cecil, Viscount Wimbledon is held by National Gallery of Art.

What movement is Edward Cecil, Viscount Wimbledon?

Edward Cecil, Viscount Wimbledon is associated with Baroque.

Artwork

Edward Cecil, Viscount Wimbledon

Simon van de Passe , 1618

Edward Cecil, Viscount Wimbledon is an ink print by the Baroque artist Simon van de Passe. It dates from 1618 and is held in the collection of the National Gallery of Art.

About this work

Overview

Edward Cecil, Viscount Wimbledon is an engraving by Simon van de Passe, dated to 1618. The print depicts a portrait of Edward Cecil, characterized by its detailed, high-contrast rendering in black and white.

Subject & Meaning

The subject, Edward Cecil, is portrayed with symbols of authority: a fur-trimmed collar, a chain of office, and a rolled document. A decorative wreath encircling his head bears Latin inscriptions ('Honoris Dux', 'Magnus Dux'), emphasizing his rank and virtues.

Technique & Style

The engraving features intricate tiny lines and nuanced shading, creating deep shadows that accentuate the subject's facial features and attire. This technique was typical of portraits aiming to convey power and importance during the period.

History & Provenance

Created in 1618 by Simon van de Passe, specific details about the engraving's commission, original audience, or subsequent ownership history are not provided in the available information.

Context

As an engraving, the work leverages a technique popular for mass-producing detailed images. The style and symbols used reflect the early 17th-century European tradition of portraying nobility with overt markers of status and dignity.

Legacy

The enduring significance of 'Edward Cecil, Viscount Wimbledon' lies in its representation of early 17th-century portraiture techniques and the depiction of noble status symbols during that era. Its influence on later artistic works or its impact beyond its time are not specified in the given context.