Artwork
Maria col bambino
Maria col bambino is an unspecified painting by the Early Renaissance artist Pseudo-Pier Francesco Fiorentino. It dates from 1470 and is held in the collection of the Kunsthaus Zürich.
About this work
Overview
Maria col bambino is a painting from 1470 attributed to Pseudo-Pier Francesco Fiorentino, currently part of the collection at the Kunsthaus Zürich.
Subject & Meaning
The painting portrays a serene scene of a woman, identified by her halo as the Virgin Mary, tenderly holding the infant Jesus. Her attire consists of a red robe under a black cloak and a headscarf, while the baby is swaddled in white. The composition emphasizes the intimate relationship between the two figures.
Technique & Style
The work features a distinctive use of color against a dark green and red arched frame, with a floral pattern of red, white, and pink flowers in the background. The artist's choice of colors and the gentle expressions of the subjects contribute to an overall atmosphere of warmth and serenity.
History & Provenance
Created in 1470, the painting is now held in the collection of the Kunsthaus Zürich, though detailed provenance prior to its current location is not specified here.
Context
As a 15th-century depiction of the Virgin and Child, this work reflects the religious themes common in European art of the time, particularly in Italy, where such scenes were frequently commissioned for both public and private devotion.
Legacy
Attributed to Pseudo-Pier Francesco Fiorentino, this painting represents the artist's contribution to the traditional themes of Renaissance art, though it does not notably deviate from or influence the broader artistic trends of its era in a documented manner.
Artist & collection
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