Artwork

鳥居清長画 「雛形若菜の初模様 丁子屋の若草・ あさの・みどり」|The Courtesan Wakakusa of the Chōjiya Brothel, and Attendants Asano and Midori, from the series “A Pattern Book of the Year’s First Designs, Fresh as Spring Herbs” (Hinagata wakana no hatsumoyō)

鳥居清長画 「雛形若菜の初模様 丁子屋の若草・ あさの・みどり」|The Courtesan Wakakusa of the Chōjiya Brothel, and Attendants Asano and Midori, from the series “A Pattern Book of the Year’s First Designs, Fresh as Spring Herbs” (Hinagata wakana no hatsumoyō), by Torii Kiyonaga, ink, 1783
鳥居清長画 「雛形若菜の初模様 丁子屋の若草・ あさの・みどり」|The Courtesan Wakakusa of the Chōjiya Brothel, and Attendants Asano and Midori, from the series “A Pattern Book of the Year’s First Designs, Fresh as Spring Herbs” (Hinagata wakana no hatsumoyō), by Torii Kiyonaga, ink, 1783

鳥居清長画 「雛形若菜の初模様 丁子屋の若草・ あさの・みどり」|The Courtesan Wakakusa of the Chōjiya Brothel, and Attendants Asano and Midori, from the series “A Pattern Book of the Year’s First Designs, Fresh as Spring Herbs” (Hinagata wakana no hatsumoyō) is an ink print by the Romanticist artist Torii Kiyonaga. It dates from 1783 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

This 1783 woodblock print by Torii Kiyonaga depicts four women in elaborate attire, showcasing early spring fashion. Held at The Metropolitan Museum of Art, it features vibrant colors, intricate patterns, and ornate fans.

Subject & Meaning

The print highlights the Courtesan Wakakusa of the Chōjiya Brothel, accompanied by attendants Asano and Midori, and another figure. The composition emphasizes their fashionable spring robes and accessories, capturing the elegance of the era's high society.

Technique & Style

Characterized by bold pink, black, and gold hues, the print showcases Kiyonaga's mastery of woodblock printing. Delicate floral patterns on the clothing and detailed, lace-like fan designs exemplify the precision of his technique.

History & Provenance

Created around 1783 as part of the series "Hinagata wakana no hatsumoyō" (A Pattern Book of the Year’s First Designs, Fresh as Spring Herbs), the print is signed by the artist in a discreet corner signature.

Context

This work was designed to display the latest spring fashion trends, reflecting the cultural significance of seasonal attire in 18th-century Japan. It catered to the interest of the urban populace in Edo's fashionable elite.

Legacy

As a representative of Torii Kiyonaga's oeuvre, this print contributes to the artist's reputation for capturing the beauty of Edo's high society women. It remains a notable example of late Edo period woodblock printing.

Artist & collection