Who painted Furansu|ふらんす|French Woman, Her Child and Pet Dog?

Furansu|ふらんす|French Woman, Her Child and Pet Dog was painted by Utagawa Hiroshige II in 10.

Where can I see Furansu|ふらんす|French Woman, Her Child and Pet Dog?

Furansu|ふらんす|French Woman, Her Child and Pet Dog is held by Metropolitan Museum of Art.

What movement is Furansu|ふらんす|French Woman, Her Child and Pet Dog?

Furansu|ふらんす|French Woman, Her Child and Pet Dog is associated with Impressionism.

Artwork

Furansu|ふらんす|French Woman, Her Child and Pet Dog

Utagawa Hiroshige II , 10

Furansu|ふらんす|French Woman, Her Child and Pet Dog is an ink print by the Impressionist artist Utagawa Hiroshige II. It dates from 10 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Furansu (French Woman, Her Child and Pet Dog) is a woodblock print by Utagawa Hiroshige II, executed in ink and color on paper. The work is part of The Metropolitan Museum of Art's collection.

Subject & Meaning

The print portrays a serene scene of a European woman, her child, and a black dog, set against a backdrop of blooming cherry trees and a green fence. The woman's attire—a red jacket with a blue, vine-and-flower-adorned skirt—and the child's blue coat with yellow pants, contribute to the tranquil, colorful atmosphere.

Technique & Style

Characterized by gentle hues, the woodblock print showcases Hiroshige II's mastery of the medium, with careful composition and color balance achieving a sense of calm. A red parasol above the woman's head adds a vibrant accent.

History & Provenance

Created in the late Edo period (specific date not provided in source, assumed based on artist's active period), the print is now housed at The Metropolitan Museum of Art.

Context

This work reflects 19th-century Japanese fascination with Western culture, as evidenced by the depiction of European subjects in traditional Japanese art forms.

Legacy

As part of Hiroshige II's oeuvre, 'Furansu' contributes to the broader legacy of the Utagawa school, though specific impact or notable exhibitions of this piece are not detailed in the provided sources.