Artwork

Nakamura Utaemon IV as Ono Sadakuro in Act Five of Kanadehon Chushingura, Naka Theater

Nakamura Utaemon IV as Ono Sadakuro in Act Five of Kanadehon Chushingura, Naka Theater is a print by the Romanticist artist Utagawa Sadamasu. It dates from 1838 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

Utagawa Sadamasu’s woodblock print, dated 1838, portrays the celebrated kabuki actor Nakamura Utaemon IV in the role of Ono Sadakuro during the climactic fifth act of the play Kanadehon Chushingura. Executed for the Naka Theater, the image is part of a series that celebrated popular stage performances of the late Edo period. The work is presently in the collection of the Cleveland Museum of Art.

Subject & Meaning

The composition captures the dramatic moment when Ono Sadakuro, a loyal retainer, confronts his adversaries.

The composition captures the dramatic moment when Ono Sadakuro, a loyal retainer, confronts his adversaries. The actor’s right leg is bent, his left leg extended, and his sword is raised, suggesting imminent action. His open mouth and narrowed eyes convey fierce resolve, while the outstretched left hand adds a sense of pleading or challenge, emphasizing the tension inherent in the tragic narrative of the 47 rōnin.

Technique & Style

Sadamasu employs the ukiyo‑e woodblock technique, using bold line work to define the figure’s muscular posture and the flowing folds of his black kimono with a striking red lining. The background is rendered in muted, smoky tones, with stylized rocks and trees that recede into atmospheric depth. The contrast between the dark foreground and the subtle background enhances the sense of movement and drama.

History & Provenance

Printed in 1838 for promotional use by the Naka Theater, the image circulated as a souvenir for theatergoers. It entered the Cleveland Museum of Art’s collection through a 20th‑century acquisition of Japanese prints, reflecting the museum’s broader effort to represent Edo‑period popular culture. The print remains an example of how commercial theater and visual art intersected in mid‑19th‑century Japan.