Artwork
春好斎北洲画 三代目中村歌右衛門 『一世一代当狂言』|Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen)

春好斎北洲画 三代目中村歌右衛門 『一世一代当狂言』|Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen) is an ink print by the Romanticist artist Shunkōsai Hokushū. It dates from 1825 and is held in the collection of the Metropolitan Museum of Art.
About this work
Overview
Created in 1825 by the Edo‑period printmaker Shunkōsai Hokushū, this multicolour woodblock portrait belongs to the series Issei ichidai atari Kyōgen, a collection that highlighted celebrated kabuki roles. The image presents the third-generation actor Nakamura Utaemon III in the guise of the sword‑master Kyōgoku Takumi, rendered with vivid pigments and metallic accents on paper.
Subject & Meaning
The composition captures the actor mid‑gesture, his crimson kimono billowing as he raises an arm, the expression intense and focused. By portraying Utaemon III as the legendary swordsman, the print serves both as a visual record of a signature performance and as a tribute to the actor’s stature within the popular theatrical repertoire of the time.
Technique & Style
Executed with traditional ukiyo‑e woodblock methods, the work combines line engraving with hand‑applied colour, ink and a metallic pigment that gives the costume a glittering effect reminiscent of embroidered brocade. The bold outlines and flat areas of saturated hue emphasize drama, while the subtle gold flecks add a tactile quality that distinguishes the print from more modest fare.
Historical Context
During the early nineteenth century, kabuki actors were celebrated as cultural icons, and fans collected affordable prints that functioned like visual souvenirs. The Issei ichidai atari Kyōgen series compiled what were considered the most memorable roles of a generation, reflecting a market where theatre and print culture intersected to disseminate popular imagery across Edo.
Provenance
The print originates from a commercial workshop in Edo, where Shunkōsai Hokushū produced works for a network of publishers catering to theatre‑going audiences. Surviving copies are found in several museum collections, indicating the widespread distribution of the series and its continued relevance as a documentary source for early nineteenth‑century kabuki performance.
Artist & collection
Artist
Shunkōsai Hokushū spent his life in Osaka, where the city’s lively theater scene shaped his work.
















