Artwork

Sir John Marsham, Writer on Chronology

Sir John Marsham, Writer on Chronology, by Robert White, ink, 1672
Sir John Marsham, Writer on Chronology, by Robert White, ink, 1672

Sir John Marsham, Writer on Chronology is an ink print by the Baroque artist Robert White. It dates from 1672 and is held in the collection of the National Gallery of Art.

About this work

Overview

This 1672 engraving by Robert White presents a portrait of Sir John Marsham, a scholar known for his work on chronology. The black-and-white print depicts Marsham in a formal, serious demeanor.

Subject & Meaning

Sir John Marsham is portrayed wearing a dark coat and lace collar, with shoulder-length curly hair and a stern expression. The surrounding ornate frame includes a shield, scrolls, and a Latin banner identifying Marsham and his age, emphasizing his scholarly and possibly noble status.

Technique & Style

The engraving reflects White's training under David Loggan, evident in its execution. While known for pencil-on-vellum drawings in Loggan’s style, this work showcases White's skill in engraving, a medium requiring precise line work to achieve detailed prints.

History & Provenance

Created in 1672, the engraving is part of the late 17th-century English portrait tradition. It is signed by Robert White, who died in 1703 in Bloomsbury Market under reduced circumstances.

Context

The piece situates itself within the broader context of 17th-century English portraiture, where such detailed engravings served to document and honor the likenesses of notable figures like Marsham.

Legacy

While specific lasting impacts of this engraving on art history are not highlighted, it remains a representative example of late 17th-century English portrait engraving and Robert White's contributions to the field.

Artist & collection

Portrait of Robert White

Artist

Robert White

Robert White (1645 – 1703) was an English draughtsman and engraver. A Londoner, he was a pupil of David Loggan, and became a leading portrait engraver. White was celebrated for his original portraits, drawn in pencil on…

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.