Artwork

Florimell leaves the Witches Hut and Disappoint <i>(sic.)</i> the Monster

Florimell leaves the Witches Hut and Disappoint <i>(sic.)</i> the Monster, by William Kent, 1740
Florimell leaves the Witches Hut and Disappoint <i>(sic.)</i> the Monster, by William Kent, 1740

Florimell leaves the Witches Hut and Disappoint <i>(sic.)</i> the Monster is a drawing by the Baroque artist William Kent. It dates from 1740 and is held in the collection of the Victoria and Albert Museum.

About this work

The title tells us a woman named Florimell leaves a witch’s hut and avoids a monster.

This drawing shows a scene from Edmund Spenser’s poem *The Faerie Queene*. Artist William Kent made it around the 1730s–40s as part of 32 book illustrations. The title tells us a woman named Florimell leaves a witch’s hut and avoids a monster.

Kent worked on these designs early in his London career. They were published in 1751, though some once thought the set was unfinished.

Look up the Victoria and Albert Museum.

Overview

William Kent, active in early‑18th‑century London, produced a series of thirty‑two drawings to illustrate Edmund Spenser’s *The Faerie Queene*. This particular sheet, titled *Florimell leaves the Witches Hut and Disappoint the Monster*, depicts the heroine Florimell exiting a sorceress’s dwelling and confronting a lurking creature. The image forms part of the set published in the 1751 edition of the poem by Stephen Wright and John Brindley.

Subject & Meaning

The composition captures a moment from Spenser’s allegorical narrative in which Florimell, a symbol of chastity, escapes the enchantments of a witch’s hut only to be met by a threatening monster. The scene illustrates the poem’s themes of virtue confronting danger and the triumph of moral resolve over deceptive forces.

Technique & Style

Kent’s drawing employs a brisk, energetic line that reflects his background in decorative design. The figures are rendered with a directness that emphasizes movement, while the surrounding architecture and creature are sketched with a relatively loose hand, characteristic of his illustrative work rather than fine‑art painting.

History & Provenance

Created in the 1730s–40s, the illustration was included in the 1751 printed edition of *The Faerie Queene* produced by Wright and Brindley. The drawings are numbered sequentially in ink, a detail that suggests Kent intended only these thirty‑two images for publication, countering earlier speculation that the series remained incomplete at his death.

Legacy

Contemporary critic Horace Walpole dismissed the *Faerie Queene* illustrations as among Kent’s weaker efforts, contrasting them with his more successful decorative commissions. Nonetheless, the drawings demonstrate Kent’s vigorous imagination and contribute to the visual tradition of 18th‑century literary illustration, preserving his reputation as a prolific designer.

Artist & collection

Portrait of William Kent

Artist

William Kent

William Kent (c. 1685 – 12 April 1748) was an English architect, landscape architect, painter and furniture designer of the early 18th century. He began his career as a painter, and became Principal Painter in Ordinary…