Artwork
Herodias: Page 55, Cul-de-lampe

Herodias: Page 55, Cul-de-lampe is a print by William Walcot. It dates from 1928 and is held in the collection of the Cleveland Museum of Art.
About this work
Overview
Herodias: Page 55, Cul‑de‑lampe is a print executed by William Walcot in 1928. The work is part of the collection of the Cleveland Museum of Art. It presents a reclining female figure rendered with swift, gestural lines, set against a background of turbulent, swirling marks that suggest motion.
Subject & Meaning
The title references the biblical Herodias, yet the image does not depict a narrative scene. Instead, the figure appears as a study of posture and expression, her head turned slightly, hair rendered in tangled strokes, inviting contemplation of the tension between stillness and the implied dynamism of the surrounding marks.
Technique & Style
Walcot employs a loose, sketch‑like approach, using rapid, tangled lines for the hair and a draped cloth that follows the body's contours. The background consists of chaotic, swirling marks that function as visual shorthand for wind or movement, creating a sense of restless energy that contrasts with the figure’s calm pose.
History & Provenance
Created in the late 1920s, the print entered the Cleveland Museum of Art’s holdings at an unspecified date, where it remains accessible to the public. Its inclusion in the museum’s collection highlights Walcot’s exploration of line and form during a period when printmaking was a vehicle for experimental drawing techniques.
Artist & collection
Artist
William Walcot RE was a Russian-Scottish architect, graphic artist and etcher, notable as a architect of refined Art Nouveau in Moscow, Russia.















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