Artwork

勲功之将天杯賜之図|Illustration of the Honored Commanders, Receiving the Emperor's Gift Cup (Kunkō no shō tenpai o tamau no zu)

勲功之将天杯賜之図|Illustration of the Honored Commanders, Receiving the Emperor's Gift Cup (Kunkō no shō tenpai o tamau no zu), by Yōshū (Hashimoto) Chikanobu, ink, 1877
勲功之将天杯賜之図|Illustration of the Honored Commanders, Receiving the Emperor's Gift Cup (Kunkō no shō tenpai o tamau no zu), by Yōshū (Hashimoto) Chikanobu, ink, 1877

勲功之将天杯賜之図|Illustration of the Honored Commanders, Receiving the Emperor's Gift Cup (Kunkō no shō tenpai o tamau no zu) is an ink print by the Impressionist artist Yōshū (Hashimoto) Chikanobu. It dates from 1877 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Created in 1877 by the Japanese printmaker Yōshū Chikanobu, this work is a three‑panel woodblock print, each sheet printed on paper with ink and color. The piece, titled Illustration of the Honored Commanders, Receiving the Emperor’s Gift Cup, is part of the collection of the Metropolitan Museum of Art.

Subject & Meaning

The triptych depicts a ceremonial presentation in which distinguished military officers receive a ceremonial cup from the emperor. Central to the composition is a figure on a raised platform extending the cup to a recipient in black, while surrounding scenes show musicians, attendants, and onlookers participating in the celebration.

Technique & Style

Chikanobu employs bold, flat areas of color—predominantly reds, blues, and golds—outlined with thick black lines. The figures wear brightly patterned kimono and military uniforms, and the print combines Japanese characters with decorative lettering, creating a lively, easily readable narrative across the three panels.

History & Provenance

The print was produced during the Meiji period, a time when woodblock publishing flourished as a means of documenting contemporary events and ceremonies. It entered the Metropolitan Museum of Art’s collection through acquisition in the early 20th century, where it remains on view as an example of Meiji‑era print culture.

Context

Illustrations of imperial ceremonies were popular subjects for ukiyo‑e artists in the late 19th century, reflecting the new national identity and the emperor’s restored prominence. Chikanobu, known for his depictions of modern life and historical events, used this format to record the visual language of state ritual.

Artist & collection