Who painted The Annunciation?

The Annunciation was painted by Nicolas Beatrizet in 1520.

Where can I see The Annunciation?

The Annunciation is held by Victoria and Albert Museum.

What movement is The Annunciation?

The Annunciation is associated with Renaissance.

Artwork

The Annunciation

Nicolas Beatrizet , 1520

The Annunciation is a print by the Renaissance artist Nicolas Beatrizet. It dates from 1520 and is held in the collection of the Victoria and Albert Museum. The work is a paper print illustrating the biblical Annunciation, based on a composition originally drawn by Michelangelo.

About this work

Overview

The work is a paper print illustrating the biblical Annunciation, based on a composition originally drawn by Michelangelo. It represents the moment when the angel Gabriel announces to Mary that she will bear the Christ child. The image captures a domestic interior, with the angel entering a doorway and the Virgin seated near a bed, her hands raised in humble acceptance.

Subject & Meaning

The scene follows the traditional narrative of the Annunciation, emphasizing the divine messenger’s arrival and Mary’s receptive posture. The angel’s outstretched winged form and flowing robe convey celestial authority, while Mary’s modest attire and downward gaze reflect piety and obedience. The setting suggests a private, everyday space transformed by a sacred encounter.

Technique & Style

Executed as a print on paper, the image displays fine line work and careful shading that render textures of fabric, curtains, and architectural details with realism. The composition reflects Renaissance ideals of balanced perspective and anatomical accuracy, echoing Michelangelo’s influence through its dynamic poses and attention to the play of light across surfaces.

History & Provenance

The print survives in its second state, produced before the addition of the inscription "Anto. Lafrerij," indicating it predates a later publisher’s mark. Its origin ties directly to Michelangelo’s design, suggesting it was intended for wider dissemination of his composition during the Renaissance, though the exact date and original patron remain undocumented.