Artwork
Title Page for Olivier Boonaerts' "In Ecclesiasticvm Commentarivs..."

Title Page for Olivier Boonaerts' "In Ecclesiasticvm Commentarivs..." is an ink print by the Baroque artist Cornelis Galle I. It dates from 1634 and is held in the collection of the National Gallery of Art. This engraving on laid paper served as the title page for Olivier Boonaerts' 'In Ecclesiasticvm Commentarivs.
About this work
Overview
This engraving on laid paper served as the title page for Olivier Boonaerts' 'In Ecclesiasticvm Commentarivs...'. Created in 1634 by Cornelis Galle the Elder, it is a proof before letters, indicating that it was produced before the addition of text.
Subject & Meaning
The engraving depicts a dramatic scene: a robed figure kneels on a rocky base, reaching towards a glowing, winged figure. Cherubs and shadowy faces observe from below, set against a backdrop of a distant landscape and a columned building, suggesting a spiritual or mystical theme.
Technique & Style
Galle's use of fine lines and shading creates depth, particularly in the robes and around the winged figure, exemplifying the printmaking techniques of the time. The level of detail achieved through engraving highlights the artist's skill and the medium's capabilities.
History & Provenance
Cornelis Galle the Elder, trained by his father Philip Galle, refined his craft in Rome before returning to Antwerp, where he worked as an engraver and printseller. Born in Antwerp in 1576, Galle created this engraving in 1634.
Artist & collection
Artist
Cornelis Galle the Elder (1576 – 29 March 1650), a younger son of Philip Galle, was born at Antwerp in 1576, and was taught engraving by his father.
















