Artwork

江戸仕入大津土産 槍持奴 鷹匠|Souvenir Paintings from Ōtsu, Stocked in Edo (Edo shi-ire Ōtsu miyage) Foot-soldier with a Spear and Hawk-handler (Yari mochi yakko to taka shō)

江戸仕入大津土産 槍持奴 鷹匠|Souvenir Paintings from Ōtsu, Stocked in Edo (Edo shi-ire Ōtsu miyage) Foot-soldier with a Spear and Hawk-handler (Yari mochi yakko to taka shō), by Kitagawa Utamaro, ink, 1802
江戸仕入大津土産 槍持奴 鷹匠|Souvenir Paintings from Ōtsu, Stocked in Edo (Edo shi-ire Ōtsu miyage) Foot-soldier with a Spear and Hawk-handler (Yari mochi yakko to taka shō), by Kitagawa Utamaro, ink, 1802

江戸仕入大津土産 槍持奴 鷹匠|Souvenir Paintings from Ōtsu, Stocked in Edo (Edo shi-ire Ōtsu miyage) Foot-soldier with a Spear and Hawk-handler (Yari mochi yakko to taka shō) is an ink print by the Romanticist artist Kitagawa Utamaro. It dates from 1802 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Created around 1802 by the ukiyo-e artist Kitagawa Utamō, this woodblock print belongs to the genre‑scene tradition and is part of the Metropolitan Museum of Art’s collection. Executed with ink and color on paper, the work depicts a lively encounter between two figures, rendered in vivid hues and decisive line work that convey a moment of tension.

Subject & Meaning

The composition features a stout, bearded foot‑soldier clutching a spear, his helmet adorned in green and gold, confronting a taller, elegantly dressed man who holds a hawk on a gloved hand. The soldier’s expression is fierce, while the hawk‑handler appears composed, suggesting a contrast between brute force and controlled mastery, a common theme in Edo‑period popular prints.

Technique & Style

Utamō employs the characteristic ukiyo‑e palette of saturated reds, blues and greens, combined with crisp, flowing outlines that delineate the figures’ gestures. The use of chiaroscuro through ink shading enhances the three‑dimensionality of the spear and the hawk’s plumage, while the patterned robe and helmet showcase the artist’s attention to textile detail.

History & Provenance

The print is part of a series titled "Souvenir Paintings from Ōtsu, Stocked in Edo," which marketed regional motifs to urban consumers. It entered the Metropolitan Museum of Art’s collection through a 20th‑century acquisition, reflecting the museum’s ongoing efforts to represent the breadth of Edo‑period printmaking.

Artist & collection