Artwork
Pugahm Myo. Figures in Damayangyee Pagoda

Pugahm Myo. Figures in Damayangyee Pagoda is a photographic photography by the Impressionist artist Linnaeus Tripe. It dates from 1855 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
Pugahm Myo is an albumen print photograph capturing a temple carving of four key disciples of Gautama Buddha seated on Buddhist thrones, their feet bare and hands joined in reverence.
Subject & Meaning
The depicted sculpture illustrates a moment of serene devotion, with the disciples' calm faces and simple, lined robes conveying a sense of humility and spiritual focus. Their posture, with bare feet and joined hands, emphasizes reverence and contemplation.
Technique & Style
The photograph documents a worn stone carving integrated into a temple wall, characterized by simple yet expressive lines for the figures' robes. The carving's age and wear are evident, suggesting a piece of considerable antiquity.
Context
This carving, as part of the Damayangyee Pagoda, reflects Buddhist artistic traditions. Comparisons with Jainism's sculptural practices highlight shared South Asian religious art motifs, despite denominational differences.
History & Provenance
Limited information is provided on the photograph's and carving's exact dates. However, the carving's worn state indicates an age likely spanning centuries, while the albumen print technique suggests the photograph was taken in the 19th or early 20th century.
Legacy
Pugahm Myo contributes to the visual record of Southeast Asian Buddhist art, preserving the image of a potentially ancient carving. Its legacy lies in documenting religious art and architecture, offering insights into the region's cultural and spiritual heritage.
Artist & collection
Artist
Linnaeus Tripe made early photographs of Burma for the British government between 1855 and 1858.














