Artwork

春好斎北洲画 初代浅尾勇次郎・初代市川鰕十郎 『傾城佐野の船橋』|Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi

春好斎北洲画   初代浅尾勇次郎・初代市川鰕十郎  『傾城佐野の船橋』|Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi, by Shunkōsai Hokushū, ink, 1822
春好斎北洲画   初代浅尾勇次郎・初代市川鰕十郎  『傾城佐野の船橋』|Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi, by Shunkōsai Hokushū, ink, 1822

春好斎北洲画 初代浅尾勇次郎・初代市川鰕十郎 『傾城佐野の船橋』|Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi is an ink print by the Romanticist artist Shunkōsai Hokushū. It dates from 1822 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

This diptych woodblock print, created by Shunkōsai Hokushū in 1822, depicts two kabuki actors in character. The actors are shown in a dramatic pose, highlighting their roles in a play.

Subject & Meaning

The print shows Ichikawa Ebijūrō I and Asao Yūjirō I as rival characters in the play 'Keisei Sano no Funabashi', a story involving love and revenge. The actors' props and attire convey the scene's tension and narrative.

Technique & Style

The print features bold, dynamic patterns in red and black on the actors' robes, characteristic of ukiyo-e style. The use of ink and color on paper creates a vivid representation of the kabuki performance.

Context

As a kabuki print, this work was likely sold as a souvenir to fans, allowing them to take home a representation of the performance. Kabuki theater was a popular form of entertainment in Japan during the early 19th century.

Artist & collection

Portrait of Shunkōsai Hokushū

Artist

Shunkōsai Hokushū

Shunkōsai Hokushū spent his life in Osaka, where the city’s lively theater scene shaped his work.