Artwork
Untitled

Untitled is an ink print by the Romanticist artist Suzuki Harunobu. It dates from 1768 and is held in the collection of the Metropolitan Museum of Art.
About this work
Overview
Created around 1768 by Suzuki Harunobu, this untitled woodblock print presents a winter scene rendered in multiple colors. The composition includes a woman in a vivid kimono holding a red parasol, a man in blue examining a poem slip, and drifting cherry blossoms that resemble pink snow, alongside traditional elements such as a geta sandal and a wagasa hat.
Subject & Meaning
The image juxtaposes seasonal motifs—snow and blossoming cherry petals—to evoke a fleeting moment of elegance. The interaction between the two figures, one reading poetry, suggests a cultured pastime, while the parasol and footwear anchor the scene in everyday Edo-period attire.
Technique & Style
Harunobu employed a pioneering polychrome method, carving up to ten separate blocks, each dedicated to a single hue. By printing these layers sequentially, he achieved a nuanced palette that surpassed the earlier monochrome or hand-colored prints, marking a significant technical advance in Japanese woodblock production.
History & Provenance
As one of Japan’s earliest fully colored ukiyo-e prints, the work reflects the mid‑eighteenth‑century shift toward richer visual storytelling. Though untitled, it has been catalogued in several museum collections that focus on the evolution of color printing in Edo.
Context
The print emerges during a period when urban culture in Edo embraced poetry, fashion, and seasonal imagery. Harunobu’s inclusion of a poem slip aligns with contemporary literary salons, while the bright kimono and parasol illustrate the era’s fascination with vibrant textile designs.
Artist & collection



















