Queen of Sheba's Visit to Solomon

Executed in etching, the piece showcases Hirschvogel's skill in the medium, characteristic of the Danube School's attention to detail. The composition's use of draped backgrounds, regal attire, and scattered symbolic objects reflects Renaissance influences.

Created in 1548, this etching is part of Hirschvogel's notable series of thirty-five small landscape etchings produced between 1545 and 1549. It is now held in the collection of the National Gallery of Art, Washington.

As a product of the Danube School, this work sits within the broader context of 16th-century Bavarian and Austrian art, blending religious narrative with the artistic innovations of the Renaissance.

While specific lasting impacts of this etching on subsequent art are not widely documented, it remains a valued example of Hirschvogel's oeuvre and the artistic practices of its time, preserved for study and appreciation.