Artwork

喜多川歌麿画 「実競色乃美名家見 紙屋次兵衛 紀ノ国屋小春」|Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)

喜多川歌麿画  「実競色乃美名家見 紙屋次兵衛 紀ノ国屋小春」|Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ink, 1798
喜多川歌麿画  「実競色乃美名家見 紙屋次兵衛 紀ノ国屋小春」|Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ink, 1798

喜多川歌麿画 「実競色乃美名家見 紙屋次兵衛 紀ノ国屋小春」|Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami) is an ink print by the Romanticist artist Kitagawa Utamaro. It dates from 1798 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

This woodblock print, created by Kitagawa Utamaro around 1798, is part of a series titled 'True Feelings Compared: The Founts of Love'. It depicts a clandestine scene of a man and woman in an intimate moment.

Subject & Meaning

The print shows a couple hurrying through a dimly lit street, their faces partially illuminated by a paper lantern. The scene conveys a sense of secrecy and urgency, suggesting a romantic tryst or elopement.

Technique & Style

Utamaro carved the design onto wood blocks himself, allowing for precise control over the intricate details and subtle color gradations. The print was then produced using multiple blocks, each inked with a different color.

Context

The series to which this print belongs explores themes of secret love and relationships in old Tokyo, offering a glimpse into the city's cultural and social landscape during the late 18th century.

Artist & collection