Who painted Akal Boonga at the Golden temple. Umritsar. Punjaub?

Akal Boonga at the Golden temple. Umritsar. Punjaub was painted by William Simpson in 1864.

Where can I see Akal Boonga at the Golden temple. Umritsar. Punjaub?

Akal Boonga at the Golden temple. Umritsar. Punjaub is held by Victoria and Albert Museum.

What movement is Akal Boonga at the Golden temple. Umritsar. Punjaub?

Akal Boonga at the Golden temple. Umritsar. Punjaub is associated with Impressionism.

Can I buy a print of Akal Boonga at the Golden temple. Umritsar. Punjaub?

Museum-quality prints of Akal Boonga at the Golden temple. Umritsar. Punjaub are available made-to-order from Artifact World Gallery.

Artwork

Akal Boonga at the Golden temple. Umritsar. Punjaub

William Simpson , 1864

Akal Boonga at the Golden temple. Umritsar. Punjaub is a paint painting by the Impressionist artist William Simpson. It dates from 1864 and is held in the collection of the Victoria and Albert Museum. This watercolour painting, titled 'Akal Boonga at the Golden temple.

About this work

The painting is titled Akal Boonga at the Golden temple.
It was created by William Simpson in 1864.
The artist's work is part of the Victoria and Albert Museum collection, and this piece is an example of his architectural drawings from his visits to India.
You can learn more about his style and techniques by exploring the work of Simpson, William RI FRGS.

Overview

This watercolour painting, titled 'Akal Boonga at the Golden temple. Umritsar. Punjaub', was created by William Simpson in 1864. It is part of the Victoria and Albert Museum's collection and exemplifies Simpson's architectural drawings from his travels to India.

Subject & Meaning

The painting depicts the Akal Bunga, a significant structure within the Sikhs' Golden Temple complex in Amritsar, Panjab. The Akal Bunga, or 'timeless house', is a key element of the revered site.

Technique & Style

Simpson's work is characterized by rapid pencil drawings in sketchbooks, often enhanced with colour washes, which served as preparatory studies for his finished watercolours. These were typically completed after his return to London, showcasing his skill in capturing architectural details.

History & Provenance

The painting was one of 250 watercolours Simpson produced during his travels to India, commissioned by Day and Sons. Although intended for lithography, the project was abandoned due to the firm's financial difficulties, and Simpson's works were later sold off.